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31st
International Association for Visit the GALLERY to view images. |
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The
conference hosted 125 clinics and panels, with topics such as 'Tips
for Arranging and Improvising in Clave', Music Copyright Do's and
Don'ts', 'Has the Internet Helped Jazz', Contributions and Influence
of Latino Musicians in Jazz' and 'What does it Take to Get Played
on the Radio'. Of course, there were all the side bars once a panel
had finished. There was a Master Class with Take 6, student jams,
composer workshops and panels on festival history, racism in jazz
journalism and historical views of various jazz composers and arrangers.
It was impossible to attend everything, especially if you took advantage
of after-hour clubs in NYC. Arriving at 9AM, if at all, was not easy. Close
to 150 performances took place. Music by the Jazz at Lincoln Center
Afro-Latin Jazz Orchestra was a who's-who of favorites including Mario
Rivera, director Arturo O'Farrill, Milton Cardona, Reynaldo Jorge,
Andy Gonzalez, Papo Vazques, Luis Bonilla, Ray Vega and more. The
tight arrangements and musicianship were amazing. The Grammy nominated
Michel Camilo Trio fired up the stage, followed by the David Sanchez
Sextet. And this was just the first night of performances! Three
floors of vendors selling magazine subscriptions, instruments, books,
cds, music gear and more opened for swift business as well. Many vendors
have give-aways so if you were into T-shirts, it was possible to pick
up an entire wardrobe! Awards
and commissioned pieces were also presented at evening performances. Funk-Off, a funky marching band from Italy gave roving performances
in lobbies and floors of both hotels. Hot and energetic, this ensemble
danced and played their, well, instruments off. Paquito d'Rivera and Hubert Laws gave
a performance of Brazilian tunes, accompanied by the New York Voices.
More music followed by the venerable Dave Brubeck, Billy Tailor Trio
and Clark Terry. Educator
and musician Bobby Sanabria hosted a descarga
with Chris Washburne, Mark Levine, Jane Bunnett, Bryan Lynch, John Santos, John Calloway, John Benitez,
Luis Bonilla and many, many more. Though time was short for this
venture, great sounds blended and emerged triumphantly. Often,
the best time had was standing anywhere with one other person and
pretty soon you have more people joining in as discussions abound
on any multitude of topics. Or, meal plans and after-hour plans were
made. As was often heard, the IAJE is a great place for photo ops
and networking. Make sure to bring you business cards if you plan
on attending in 2005 in Long Beach, CA. The Universe of jazz will
expand and open once again. In the meantime, in the words of festival
impresario George Wein, go out, hear or play some jazz and have fun!
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